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When she observes, "People on the Metro always look so sad and lonely," she's really talking about herself.

Odile embodies such limitations in her meek, furtive gestures.

They also smoke, drink Coca-Cola, ride the Metro, and run through the Louvre in an attempt to break a world record for the fastest visit. cartoons, Charlie Chaplin, Andre Breton, Louis Aragon, Jack London, Arthur Rimbaud, and The Umbrellas of Cherbourg, among others.

These adventures, widely imitated and celebrated, give the film a delicate charm, a veneer of spontaneity and risk. Even Karina's character has a literary source: Raymond Queneau's roman à clef, Odile.

Its Paris is cold and dark, for the most part without the standard shots of historic landmarks and lovely neighborhoods.

Raoul Coutard's photography gives it a bold, stark look, intimating that Franz, Arthur, and Odile's playfulness is prompted by their poverty and melancholy.